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Step-By-Step: Building a CB Guitar
Articles by Chris Bozung
Testimonials
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Testimonials
Chris Bozung has established a great reputation among
players, collectors and aficionados of fine acoustic instruments. Following are
some testimonials from music professionals and proud owners of CB instruments.
- Note: newest testimonials are at the top of the page.
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Ron
with his Model J
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Thanks
to
CB
owner
Stan
Travis
for
introducing
me
to
Chris’s
work.
If
not
for
him
I
might
still
be
wandering
in
the
wilderness
completely
happy
with
mediocrity.
It
is
a
beautiful
instrument.
The
specs
are
exactly
what
I
asked
for
and
every
detail
of
workmanship
is
immaculate.
The
sound
is
just
awesome
with
tone,
balance
and
volume
you
just
can’t
believe
and
the
intonation
is
right
on.
I’ve
had
the
privilege
of
playing
a
lot
of
different
of
high-end
guitars
but
I
can
say
that
none
have
given
me
the
pleasure
and
satisfaction
of
my
“CB
Model
J”
and
it
just
seems
to
get
better.
Chris
said
it
might
“open
up”
some
more.
If
it
does
I
just
might
have
to
put
a
muffler
on
it
or
keep
it
in
the
case!
Thank
you
Chris
Bozung
for
the
friendship
and
for
the
best
guitar
I’ve
ever
owned.
Ron
Holcomb
Clarksville, TN
April
24,
2008 |
|
Pete
Huttlinger
with his new Model
J,
"The Black
Swan".
Hear
Pete play the
Black Swan: "Scotch
'n Soda"
Pete
Huttlinger
with his CB-ROM.
Hear
Pete play his
CB-ROM: excerpt
from "Tommy
in the
Morning"
|
|
We've
been posting
some new music
on the web site.
I figured
"What the
heck... I've got
all these
guitars and I've
got a studio
with all these
fancy
microphones, why
not put it all
to some
use." So I
posted a nice
version of Scotch
'n Soda.
I recorded this
on my new guitar
built by Chris
Bozung of CB
Guitars.
It's a pretty
amazing
instrument and
if any of you
are thinking
it's time for a
truly great
guitar in your
life, I strongly
suggest you
check out
Chris's work.
Yes, there are
lots of great
builders out
there. But every
now and again
someone comes
along who has an
extra special
gift. There's a
certain spirit
in the
instruments that
Chris builds
that I just have
not seen or
heard in a long,
long time.
Pete
Huttlinger
February
9, 2007 |
|
Stan
with his CB
Vintage 'Bone. |
|
You
know the drill.
GAS (Guitar Acquisition
Syndrome) pains
hit and you
spend literally
years trying to
find "the"
guitar that really
fits like a
glove. It has to
sound
"old",
it has to have
soul and a voice
that dominates
jams and it has
to scream
WORKMANSHIP!
After all the
shopping, after
buying "the
logo" and
being very dissatisfied,
after all the
playing and
comparing and
after all the whining
about how much
really top notch
guitars cost, I
took the plunge
and ordered one
of the first
Vintage Bones
ever built. I'm
sure Chris would
call me anything
but patient, but
the wait was
worth the
reward.
My Vintage Bone
is much more
than I expected.
The guitar is
nearly two years
old now and
continues to
amaze me.
It stands its
ground very well
in the company
of guitars
costing twice
and three times
as much, and
head and
shoulders above
most. It
has the tone,
warmth and
volume of an old
warhorse.
The fit an
finish are
absolutely
impeccable
inside and out.
The wood
selection is
amazing, as is
the total
workmanship of
this instrument.
I have another
CB guitar
waiting in
rotation, but
this wait is a
little easier to
handle because
one CB in the
hand is better
than a closet
full of most
anything else
I've ever played
and trust
me...I've played
a whole bunch of
different
builder's
guitars.
Chris Bozung
stands equal to
the very best
and head and
shoulders above
all the rest
that modern
luthierie have
to offer.
I'm already
thinking about
what CB#3 will
be. There are an
awful lot of
repeat customers
in Chris'
book... and I
know why!
By the way, I
still look, but
I don't shop any
more.
Thanks Chris,
Stan
Travis
Clarksville, TN
March 8, 2006 |
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Bill
with his CB
Vintage J. |
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I
heard a bunch of
guys on the
flatpick list
talking up Chris
and his guitars
and decided to
give him a call
last year. Great
guy, and GREAT
guitar. I was
looking for a
good backup for
my '50s D18, and
my custom
CB Vintage J
actually has
taken over
'first string'
duties.
It has
unbelievable
tone, volume,
clarity, and
visual beauty.
Really top-notch
workmanship, and
I'm proud to own
and play one. I
can't wait to
show it off at
next year's
festival.
Bill Ward
Founder and
Program
Director, Mayville
Bluegrass
Festival
www.mayvillebluegrassfestival.com
www.billwardband.com
October 11,
2005 |
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Mark
with his CB
Vintage Bone. |
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My
new cocobolo and
red spruce CB
Vintage Bone
is in a class of
its own.
Words
can’t describe
the beauty of
this guitar or
its sound, but
I’ll try. I needed a guitar with projection and cut – something that
wouldn’t just
blend into the
mix at a big jam
session.
I also
wanted the
personal
attention and
craftsmanship
that can only
come from a
guitar that is
built just for
me.
I got
everything I
wanted and more
in my CB guitar.
This guitar
sounds great
anywhere, but it
really shines in
a group setting.
People
turn their heads
when I give it
the first strum.
Everyone
I play with has
remarked about
the excellent
sound and volume
of my CB.
It has a
percussive
rhythm punch
great for backup
and enough cut
and clarity to
be heard over
many other
instruments when
playing lead.
The great
thing for me is
that I can get
that great sound
and volume
without beating
the guitar to
death.
This
guitar plays
effortlessly,
which means I
can keep playing
for hours
without becoming
fatigued.
But you
can still really
dig into this
thing and get
even more volume
out of it.
Every
time I pick up
my CB I am
surprised with a
new depth of
sound, sweetness
of tone, or
volume
potential.
This
guitar has no
limits.
Chris Bozung
is really
turning out some
fine
instruments, and
I feel
privileged to be
playing one of
his guitars.
If you
are looking for
a guitar that is
in a class of
its own in terms
of tone, volume,
and
craftsmanship,
then you will be
satisfied with a
new CB!
Mark Whiting
Richmond,
VA
September,
2005 |
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Jim
with his CB
AuditoriOM. |
|
On
my two new
recording
projects, "Tradition"
and "Revival,"
Inge and I used
five different
guitars: three
old Martins
(1945, 1946, and
1949) and two
new CBs
(a Brazilian
rosewood Model
J and
a CB-ROM).
This says
it all.
Chris' guitars
can hold their
own with our
cream-of-the-crop vintage
Martins with no
apologies.
The bass of
our Model J is
like the Rock of
Gibraltar, and
the chords
sparkle with the
clarity of a
great mahogany
box. You
can hear it
as clear as a
bell on every track
on both my two
new CDs,
and the
resonator model
provided us the
perfect change
of color for
solos on nearly
half the tunes.
Sincerely,
Jim
Wood
January 1,
2005 |
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Andy
with his CB
Special. |
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I
picked up my CB
Special
9 weeks ago as
of this writing,
and in that time
it has made
moves to become
the number one
guitar in the
house. It
has a sweet,
woody tone that
is well suited
to fingerstyle,
but it can hold
its own when
flatpicked.
I got a chance
to take her to
her first jam a
few weeks and
was really
waiting until I
heard it in a
group setting
(unplugged) to
send in my
comments.
Everyone that
sees it
compliments on
what a beautiful
guitar it is
(I'd stack it
side by side
with any Collings
C10 or Santa
Cruz H model
I've seen for
fit and finish.)
The warmth of
the guitar is
amazing.
I've been on a
"string
quest",
trying to find
the perfect
string and I'm
almost there.
But every change
I make, I find a
new depth to the
tone.
I feel honored
to have such a
fine instrument
in my
collection.
Thanks for your
cooperation in
helping me make
this decision
and for your
dedication to
your craft.
Andy
Willoughby
December 5,
2004 |
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Dan
with his CB
Super. |
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I first heard of CB Guitars from a friend who saw a link in one of his
outdoorsman's magazines. Naturally curious, yet skeptical, I visited his
website. Let me say that it alone, by Webmaster (and I do
mean master!) Boge Quinn is enough to set any picker's heart a'racing!
I decided to take the leap and comfort myself for my upcoming 60th
birthday by having Chris build me a CB Super to fill the void left by a
J-200 I had previously traded for having the late-60s "pencil
neck" found in too many of their acoustics back then.
I spoke with Chris on the phone repeatedly, giving him details about the
bells and whistles I wanted and the special custom "vanity" trim
I hoped for. He was without exception gracious and helpful. In fact, when
a family emergency interrupted his building, his webmaster and friend Boge
Quinn contacted me personally to keep me updated--on all fronts.
"Rosebud" was a marvel when I
unboxed her, but in the intervening months she has gotten even more robust
yet mellow, like velvet bells, like a thunderstorm held in my lap.
Chris Bozung and his instruments are a tonic for those in these times who
might get to feeling like integrity and business cannot coexist, because
they surely do in a place called Fairview, Tennessee.
I believe Chris's hands are themselves instruments of a much greater
power, and I hope to get down there one day, Rosebud and I, to let Chris
and his friends pick circles around me while I sit there grinning like a
possum!
But don't just take my word--find a CB instrument, play it, listen to it,
check the price and then see if you can resist owning at least one.
Oh, yes, if you want to see some really tasty shots of
Rosebud herself, click here!
Dan Pease
"The Guitar Geezer"
Iowa Falls, IA
November 27, 2004
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Rick
receives his new
CB Super from
Chris.
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Hi
everybody!
It’s funny how
many repeat
customers CB
guitars has.
Only a few of
them are on this
page. Well,
here’s one
more to add to
the list (this
is my third CB
Guitar)!
I am
thrilled to tell
you all how
proud I am to
say that I have
the guitar of my
life. My
beautiful,
personally
customized “CB
Super Cutaway ”.
What
a work of art
this monster is!
Chris is making
the rest of the
luthiers jealous
of his great
options at such
a sweet price.
It’s not easy
to find hand
builders who
don’t go crazy
on option
prices. But
Chris still does
his rose inlays
for no extra
charge and
throws in
sunbursts for no
extra charge.
Check out others
and you’ll be
surprised how
much they like
to get you for
say an
Adirondack top
or a Style 42
abalone trim.
And the guitar
itself is better
in sound and
durability than
anything I’ve
seen. He says
“They’re
built for the
long haul”.
And you can tell
it when you pick
one up. It just
feels like you
know it’s
going to be in
the family for
not just years
but generations.
That’s what I
plan for this
one. My son’s
son will be
playing this CB.
The
reason I’m
writing this for
everybody is
basically
because I love
guys who still
do it the old
fashioned way
– with love
and respect to
their craft.
That’s what
this country
should be all
about. We would
be stronger and
we wouldn’t go
elsewhere to
find it.
Thanks,
Chris, for your
old-time beliefs
in excellence
and your honesty
and fairness.
God bless your
wonderful
family. With all
your friends I
wish the best
for you always!
Rick
NesSmith
Jacksonville,
FL
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