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Testimonials

 

Testimonials

Chris Bozung has established a great reputation among players, collectors and aficionados of fine acoustic instruments. Following are some testimonials from music professionals and proud owners of CB instruments.

Note: newest testimonials are at the top of the page.
 

 

Ron with his Model J

 

Thanks to CB owner Stan Travis for introducing me to Chris’s work.  If not for him I might still be wandering in the wilderness completely happy with mediocrity.

 

It is a beautiful instrument.  The specs are exactly what I asked for and every detail of workmanship is immaculate.   The sound is just awesome with tone, balance and volume you just can’t believe and the intonation is right on.  I’ve had the privilege of playing a lot of different of high-end guitars but I can say that none have given me the pleasure and satisfaction of my “CB Model J” and it just seems to get better.  Chris said it might “open up” some more.  If it does I just might have to put a muffler on it or keep it in the case! Thank you Chris Bozung for the friendship and for the best guitar I’ve ever owned.

 

Ron Holcomb
Clarksville, TN
April 24, 2008

 

 

Pete Huttlinger with his new Model J, "The Black Swan".

Hear Pete play the Black Swan: "Scotch 'n Soda"

 

Pete Huttlinger with his CB-ROM.

Hear Pete play his CB-ROM: excerpt from "Tommy in the Morning"

We've been posting some new music on the web site. I figured "What the heck... I've got all these guitars and I've got a studio with all these fancy microphones, why not put it all to some use." So I posted a nice version of Scotch 'n Soda. I recorded this on my new guitar built by Chris Bozung of CB Guitars. It's a pretty amazing instrument and if any of you are thinking it's time for a truly great guitar in your life, I strongly suggest you check out Chris's work. Yes, there are lots of great builders out there. But every now and again someone comes along who has an extra special gift. There's a certain spirit in the instruments that Chris builds that I just have not seen or heard in a long, long time.

Pete Huttlinger

February 9, 2007

 

 

Stan with his CB Vintage 'Bone.

You know the drill.  GAS (Guitar Acquisition Syndrome) pains hit and you spend literally years trying to find "the" guitar that really fits like a glove. It has to sound "old", it has to have soul and a voice that dominates jams and it has to scream WORKMANSHIP!

After all the shopping, after buying "the logo" and being very dissatisfied, after all the playing and comparing and after all the whining about how much really top notch guitars cost, I took the plunge and ordered one of the first Vintage Bones ever built. I'm sure Chris would call me anything but patient, but the wait was worth the reward.

My Vintage Bone is much more than I expected.  The guitar is nearly two years old now and continues to amaze me.  It stands its ground very well in the company of guitars costing twice and three times as much, and head and shoulders above most.  It has the tone, warmth and volume of an old warhorse.  The fit an finish are absolutely impeccable inside and out.  The wood selection is amazing, as is the total workmanship of this instrument.  I have another CB guitar waiting in rotation, but this wait is a little easier to handle because one CB in the hand is better than a closet full of most anything else I've ever played and trust me...I've played a whole bunch of different builder's guitars.

Chris Bozung stands equal to the very best and head and shoulders above all the rest that modern luthierie have to offer.  I'm already thinking about what CB#3 will be. There are an awful lot of repeat customers in Chris' book... and I know why!  By the way, I still look, but I don't shop any more.

Thanks Chris,

Stan Travis
Clarksville, TN
March 8, 2006

 


Bill with his CB Vintage J.

I heard a bunch of guys on the flatpick list talking up Chris and his guitars and decided to give him a call last year. Great guy, and GREAT guitar. I was looking for a good backup for my '50s D18, and my custom CB Vintage J actually has taken over 'first string' duties.

It has unbelievable tone, volume, clarity, and visual beauty. Really top-notch workmanship, and I'm proud to own and play one. I can't wait to show it off at next year's festival.

Bill Ward

Founder and Program Director, Mayville Bluegrass Festival

www.mayvillebluegrassfestival.com

www.billwardband.com

October 11, 2005

 

 

Mark with his CB Vintage Bone.

My new cocobolo and red spruce CB Vintage Bone is in a class of its own.  Words can’t describe the beauty of this guitar or its sound, but I’ll try.  I needed a guitar with projection and cut – something that wouldn’t just blend into the mix at a big jam session.  I also wanted the personal attention and craftsmanship that can only come from a guitar that is built just for me.  I got everything I wanted and more in my CB guitar.

This guitar sounds great anywhere, but it really shines in a group setting.  People turn their heads when I give it the first strum.  Everyone I play with has remarked about the excellent sound and volume of my CB.  It has a percussive rhythm punch great for backup and enough cut and clarity to be heard over many other instruments when playing lead.  The great thing for me is that I can get that great sound and volume without beating the guitar to death.  This guitar plays effortlessly, which means I can keep playing for hours without becoming fatigued.  But you can still really dig into this thing and get even more volume out of it.  Every time I pick up my CB I am surprised with a new depth of sound, sweetness of tone, or volume potential.  This guitar has no limits.

Chris Bozung is really turning out some fine instruments, and I feel privileged to be playing one of his guitars.  If you are looking for a guitar that is in a class of its own in terms of tone, volume, and craftsmanship, then you will be satisfied with a new CB! 

Mark Whiting

Richmond, VA

September, 2005

 

 

Jim with his CB AuditoriOM.

On my two new recording projects, "Tradition" and "Revival," Inge and I used five different guitars: three old Martins (1945, 1946, and 1949) and two new CBs (a Brazilian rosewood Model J and a CB-ROM).  This says it all.  Chris' guitars can hold their own with our cream-of-the-crop vintage Martins with no apologies.  The bass of our Model J is like the Rock of Gibraltar, and the chords sparkle with the clarity of a great mahogany box.  You can hear it as clear as a bell on every track on both my two new CDs, and the resonator model provided us the perfect change of color for solos on nearly half the tunes.

Sincerely,

Jim Wood

January 1, 2005

 

 

Andy with his CB Special.

I picked up my CB Special 9 weeks ago as of this writing, and in that time it has made moves to become the number one guitar in the house.  It has a sweet, woody tone that is well suited to fingerstyle, but it can hold its own when flatpicked.

I got a chance to take her to her first jam a few weeks and was really waiting until I heard it in a group setting (unplugged) to send in my comments. 

Everyone that sees it compliments on what a beautiful guitar it is (I'd stack it side by side with any Collings C10 or Santa Cruz H model I've seen for fit and finish.)

The warmth of the guitar is amazing.  I've been on a "string quest", trying to find the perfect string and I'm almost there.  But every change I make, I find a new depth to the tone.

I feel honored to have such a fine instrument in my collection.

Thanks for your cooperation in helping me make this decision and for your dedication to your craft.

Andy Willoughby

December 5, 2004

 

 

Dan with his CB Super.

I first heard of CB Guitars from a friend who saw a link in one of his outdoorsman's magazines. Naturally curious, yet skeptical, I visited his website. Let me say that it alone, by Webmaster (and I do mean master!) Boge Quinn is enough to set any picker's heart a'racing!

I decided to take the leap and comfort myself for my upcoming 60th birthday by having Chris build me a CB Super to fill the void left by a J-200 I had previously traded for having the late-60s "pencil neck" found in too many of their acoustics back then.

I spoke with Chris on the phone repeatedly, giving him details about the bells and whistles I wanted and the special custom "vanity" trim I hoped for. He was without exception gracious and helpful. In fact, when a family emergency interrupted his building, his webmaster and friend Boge Quinn contacted me personally to keep me updated--on all fronts.

"Rosebud" was a marvel when I unboxed her, but in the intervening months she has gotten even more robust yet mellow, like velvet bells, like a thunderstorm held in my lap.

Chris Bozung and his instruments are a tonic for those in these times who might get to feeling like integrity and business cannot coexist, because they surely do in a place called Fairview, Tennessee.

I believe Chris's hands are themselves instruments of a much greater power, and I hope to get down there one day, Rosebud and I, to let Chris and his friends pick circles around me while I sit there grinning like a possum!

But don't just take my word--find a CB instrument, play it, listen to it, check the price and then see if you can resist owning at least one.

Oh, yes, if you want to see some really tasty shots of Rosebud herself, click here!

Dan Pease

"The Guitar Geezer"

Iowa Falls, IA

November 27, 2004

 

 

Rick receives his new CB Super from Chris.

Hi everybody! It’s funny how many repeat customers CB guitars has. Only a few of them are on this page. Well, here’s one more to add to the list (this is my third CB Guitar)!  I am thrilled to tell you all how proud I am to say that I have the guitar of my life. My beautiful, personally customized “CB Super Cutaway ”.

What a work of art this monster is! Chris is making the rest of the luthiers jealous of his great options at such a sweet price. It’s not easy to find hand builders who don’t go crazy on option prices. But Chris still does his rose inlays for no extra charge and throws in sunbursts for no extra charge. Check out others and you’ll be surprised how much they like to get you for say an Adirondack top or a Style 42 abalone trim. And the guitar itself is better in sound and durability than anything I’ve seen. He says “They’re built for the long haul”. And you can tell it when you pick one up. It just feels like you know it’s going to be in the family for not just years but generations. That’s what I plan for this one. My son’s son will be playing this CB.

The reason I’m writing this for everybody is basically because I love guys who still do it the old fashioned way – with love and respect to their craft. That’s what this country should be all about. We would be stronger and we wouldn’t go elsewhere to find it.

Thanks, Chris, for your old-time beliefs in excellence and your honesty and fairness. God bless your wonderful family. With all your friends I wish the best for you always!

Rick NesSmith

Jacksonville, FL